In Rotation, X, Y, Z, the motion does not come from the artwork itself—but from the viewer. This minimalist yet dynamic interactive sculpture consists of geometric volumes mounted on a wall, appearing static at first glance. But as the viewer changes position, the forms begin to animate: a cube becomes a hexagon, a flat surface shimmers with shifting light, and spatial illusions unfold in real time.

Rather than relying on mechanical movement, the piece leverages the power of perspective, inviting a kinetic experience driven entirely by viewer agency. Each shift in viewpoint unlocks a new transformation, revealing the work’s sensitivity to light, form, and depth.

Rotation, X, Y, Z explores the intersection of optical illusion, spatial perception, and audience participation, turning observation into a creative act. It positions the viewer as both observer and co-creator, engaging in a visual dialogue where space is not fixed but responsive.

Blending principles of minimalism, geometry, and contemporary installation art, this subtle and surprising work reminds us that perception is not passive—it's an evolving interaction between body, eye, and environment.